A few nice Gift Ideas images I found:
“Bad Ass” Aggie Ring Goes to the Art Deco Edison Memorial Tower and “Big Ass Lightbulb!”
Image by flickr4jazz
I could tell that Aggie Ring was impressed. After several moments of silence he spoke out and said, “If my Eyes of Texas aren’t deceiving me, that’s the biggest damn lightbulb I’ve ever seen! I guess it’s true… Everything IS bigger in Jersey!”
The Aggie Ring woke me up early this morning. In fact it was even before 11:30 a.m. so I knew he wanted to do something. I asked the Aggie Ring, “What do you want to do Aggie Ring?” The Aggie Ring replied, “I want to go see the lightbulb!” I wasn’t sure what he was talking about so I said, “What lightbulb?” The Aggie Ring said with emphasis, “Let there be LIGHT!” Then it hit me. Aggie Ring wanted to drive him up the Parkway to the site of Thomas A. Edison’s Menlo Park laboratory so he could see the Art Deco Edison Memorial Tower and “Big Ass Lightbulb!”
Other than the time he told me that he thought Elvis took our change in a tollbooth on the New Jersey State Turnpike, Aggie Ring has great ideas. It’s only about a 20 to 25 minute drive up the Parkway from our house so Aggie Ring and I set off to see the Edison Memorial Tower. The last time we’d been there it had been in horrible shape and they were beginning work on restoring it. That was a bit over a year ago so I assumed that Aggie Ring figured out that they would be finished with the conservation work on the historical site.
When we drove down the little side street where the tower is located the Aggie Ring was overwhelmed with awe at the restored site. Aggie Ring was truly “speechless!” It’s just as beautiful as the day it was built. They did an incredible job on the restoration. After a few moments sitting in the car just looking out the window Aggie Ring broke his silence and asked me, “Did you bring a cigar? Edison loved his cigars and I think he’d have wanted you to smoke a cigar while you’re looking the place over.” Unfortunately I had left my cigars at home so the Edison “smoke out” will have to happen on a future date.
The laboratory building is no longer at this site but it’s still impressive to think of not only the electric lightbulb, but all of the other great inventions that Mr. Edison invented here. Aggie Ring said, “Imagine. He did all this stuff without the help of an Aggie Ring!”
The Aggie Ring and I walked around the tower and took some photos of the “Big Ass Lightbulb” and the historical plaques at its base. The Aggie Ring and I are planning on going back some evening when the lightbulb is illuminated. Aggie Ring said, “It would be cool if you could get a photo during a thunderstorm when there’s lightning behind the tower.” I told Aggie Ring, “You’re crazy! I’m not standing out in a field during a lightning storm with an Aggie Ring on my finger! Maybe if we can get a VMI grad to come with us. Their rings are so damn big a lightning bolt would hit one of them before us!”
Aggie Ring said, “It’s a good thing Edison invented the lightbulb or there’d be a lot of Waggies drinking their tequila shots by candlelight!” I told the Aggie Ring, “True… Those Waggies love their tequila the invention of the lightbulb makes it a lot easier for them to pour the tequila and do body shots!”
Aggie Ring asked me to provide some info on the Edison “Big Ass Lightbulb” Memorial Tower for your educational enlightenment (“Get it?” Aggie Ring said):
Thomas Alva Edison Memorial Tower and Menlo Park Museum, New Jersey
"Let there be light." Thomas Alva Edison’s Menlo Park Laboratory and Memorial Tower. Those of us on the Jersey Shore call it the "Big Ass Lightbulb!”
The Edison Tower, located on the site of the original laboratory at Menlo Park, New Jersey, to which Thomas Alva Edison moved in 1876, was erected in 1937 as a monument to the great inventor. The Tower is the gift of William Slocum Barstow to the Thomas Alva Edison Foundation Incorporated in behalf of the Edison Pioneers. It was dedicated on February 11, 1838, the ninety-first anniversary of the inventor’s birth.
Rising 131 ft. 4 in. above the ground, the tower looms as the highest discernible object for many miles. Surmounting the 117 ft. 8 in. concrete-slab structure is a 13 ft. 8 in. replica of the original incandescent lamp which, when illuminated, can be seen for a distance of several miles. It once served as an airplane beacon. The Tower is designed for pressure of wind at a velocity of 120 miles per hour. In its construction, which consumed slightly less than eight months, approximately 1200 barrels of Edison Portland cement and 50 tons of reinforced steel were used.
The large bulb on top of the Tower was cast by the Corning Glass Works. The replica bulb contains 153 separate pieces of amber tinted Pyrex glass, 2 in. thick, set upon a steel frame. The bulb is 5 ft. in diameter at the neck and 9 ft. 2 in. in diameter at the greatest width and weighs, without the steel frame on which it is placed, in excess of three tons. Before the restoration, inside this Pyrex glass bulb were four 1000 watt bulbs, four 200 watt bulbs, and four 100 watt bulbs. A duplicate of each was arranged as automatically to cut in should its companion bulb fail.
The Edison Tower has been completely restored and when complete, the bulb is now illuminated with modern Light Emitting Diode (LED) technology. Mr. Edison would be pleased with this, I’m sure.
While we don’t have any records of exactly what was said when Mr. Edison perfected his invention, I suspect one of his workers shouted out something like this: “Holy Mother of Baby Jesus on a Donkey!” “Mr. Edison, You’ve done it!!! You’ve perfected the Electric Light!!! You truly are King of Kings!!!!”
The tower is located on a mysterious plot of land and exactly at midnight on the night of a full moon, it would be a perfect site for the ritual sacrifice of virgins. Too bad we don’t have any of those in New Jersey! 🙂
Aggie Ring says, “The Road Goes On Forever, and the Party Never Ends!”
Tomb of Unknown Soldier 001 – Arlington National Cemtery – 2012
Image by Tim Evanson
Looking northeast at the Tomb of the Unknown Soldier in front of Memorial Amphitheater at Arlington National Cemetery near Washington, D.C., in the United States. The memorial actually has no official name, but Arlington caretakers continue to refer to it by the clunky "Tomb of the Unknowns." Nearly everyone else uses the other name.
Arlington’s first Amphitheater was constructed of wood in 1874, and soon proved far too small. Congress authorized construction of the Memorial Amphitheater on March 4, 1913. Ground-breaking occurred on March 1, 1915, and President Woodrow Wilson placed the cornerstone on October 15, 1915. It was dedicated on May 15, 1920.
Originally, the main entrance to Memorial Amphitheater had a rectangular granite plaza in front of it, from which some short marble steps led down to a slightly elliptical granite plaza surrounded by a marble balustrade. From this overlook, you could see a rectangular grass lawn 20 feet below. But this soon changed…
Memorial Amphitheater was altered forever the year after its dedication. In 1917, America entered World War I. More than 1.3 million Americans served in Europe during the war, and more than 116,516 died. Just 4,221 were unidentified or missing; the missing (3,173) were the vast majority of them. Nonetheless, 1,100 "unidentified" American war dead was a burden on the national conscience, and the media focused heavily on grieving mothers with no body to bury. Some American generals suggested in 1919 that a "Tomb of an Unknown Soldier" be created in the United States. The idea didn’t gain traction at first, but in 1920 both England and France held huge public ceremonies honoring their unknown dead. These received much press attention in the United States, and on February 4, 1921, Congress enacted legislation establishing a similar memorial. Some proponents of the memorial originally proposed burying the unknown soldier in the crypt beneath the Capitol Rotunda — a crypt originally planned for George Washington (but politely declined by his family). Worried that the Capitol might become a mausoleum, Congress instead chose Arlington National Cemetery as the site for the new memorial. On March 4, 1921, with just hours left in his presidency, President Woodrow Wilson signed the legislation into law.
In the United States, preparation for the "Tomb of the Unknown Solider" was frantically under way. The newly-formed American Legion (a congressionally-chartered veterans’ lobby group) was pressing as late as May 1921 for the body to be buried in the Capitol Crypt. This debate was not resolved until mid-July, and by then very little time remained to create the monument. Where to build the Tomb of the Unknown Soldier at Arlington National Cemetery continued until October, when it was decided that the view from the Memorial Amphitheater’s plaza was the most appropriate site.
The Tomb was cut unto the center of the short steps which led down to the granite overlook. Diggers buried downward until they reached the level of the lawn below. They then continued another 20 feet below the surface. The subsurface shaft was 16 feet from east to west and 9.5 feet from north to south, and filled with solid concrete. This formed the footings for the vault above. The footings had to be that deep and that large because tons of marble were going to be placed on top of them, and the memorial could not be permitted to sink or become destabilized. The vault itself was lined with marble. The vault’s walls ranged in thickness from 7 feet at the bottom to 2 feet, 4 inches at the top. A plinth (or "sub-base") was set on top of the vault walls. The plinth serves as the base of the memorial proper, and also helps to conceal the rough, unfinished top of the vault walls. The plinth was made of three finished, rectangular pieces of marble which fitted over the vault walls like a collar. These are on the north, south, and west sides of the vault, and were the only part of the substructure visible in 1921. (They remain visible today; you can just see them in this image.) Four rectangular marble pieces form the actual base of the memorial. These were mortared to the top of the plinth. A rectangular marble capstone with curved sides was placed on top of the base. The capstone was pierced with the a hole to permit the coffin to be lowered into through the base, through the plinth, and to the bottom of the grave vault. The bottom of the vault was lined with 2 inches of French soil, taken from various battlefields in France.
The World War I unknown was interred as scheduled on November 11, 1921. More than 100,000 people attended the ceremonies, including the Premier of France, Aristide Briand; the former Premier of France, Rene Viviani (who led France through the war); Marshal Ferdinand Foch (who was Commander in Chief of Allied Forces in France); President Warren G. Harding, former President William Howard Taft, and former President Woodrow Wilson. One thousand "gold star mothers" (women who had lost a son in the war) attended the ceremony, as did every single living Medal of Honor winner. The entire United States Cabinet was there, and so was the entire United States Supreme Court. Every member of the House and Senate was present (although they had to stand in the colonnade). A large number of military personnel also attended the dedication. These included General John Pershing, who had led American forces in Europe; Lieutenant General Nelson Miles, former Commanding General of the Army; Admiral of the Fleet David Richard Beatty of the United Kingdom; General Armando Diaz, Marshal of Italy; General Baron Alphonse Jacques de Dixmude of Belgium; Frederick Lambart, 10th Earl of Cavan, commander of British forces in Italy; Arthur Balfour, former Prime Minster of the United Kingdom; and Tokugawa, Prince of Japan. Also conspicuous was Chief Plenty Coups of the Crow Nation, in full battle regalia and headdress.
President Harding bestowed on the unknown soldier the Medal of Honor and the Distinguished Service Cross (the latter was never awarded again). General Jacques presented the Croix de Guerre, Belgium’s highest military honor. (He took from his own chest the medal, which had been bestowed on him by King Albert.) Admiral Beatty bestowed the Victoria Cross, which had never before been given to a foreigner. Marshal Foch bestowed the Medaille Militaire and the Croix de Guerre with palm, France’s highest military honor. General Diaz gave the Gold Medal for Bravery, Prince Bibescu of Romania gave the Virtuta Militaire, Dr. Dedrich Stephenek of Czechoslovakia presented the Szechoslovakia War Cross, and Prince Lubomirski of Poland gave the Virtuti Militan. When the coffin was ready for lowering into the vault, Chief Plenty Coups removed his war bonnet and tenderly placed it and his coup-stick on the coffin. He raised his hands to the sky. "I place on this grave of this noble warrior this coup stick and this war bonnet," he said, "every eagle feather of which represents a deed of valor by my race. I hope that the Great Spirit will grant that these noble warriors have not given up their lives in vain and that there will be peace to all men hereafter." An artillery battery fired, and the coffin began to be lowered. An answering a battery of fire came from the ”USS Olympia”, an American destroyer lying at anchor in the Potomac River. "Taps" were played. Once the coffin lay on the floor of the vault, the centerpiece of the capstone was put in place and the tomb sealed.
But all that existed was the base. The actual cenotaph, which you see here, did not yet exist.
Congress authorized completion of the Tomb of the Unknown Soldier in July 1926. The Secretary of War held a design competition, with judges from Arlington National Cemetery, the American Battle Monuments Commission, and the Commission of Fine Arts. Only architects of national standing were permitted to enter the competition, and 74 submitted designs. Five were chosen as finalists, and required to submit plaster models of their proposals. Architect Lorimer Rich and sculptor Thomas Hudson Jones won the competition. Their design imitated a sarcophagus, but really was a solid block of marble. The design included a thin rectangular base to go on top of the existing capstone. Then there was the "die block" (the main monument), on top of which was a capstone. The die block featured Doric pilasters (fake columns) in low relief at the corners. On the east side (facing the Potomac River) was a sculpture in low relief of three figures, representing female Victory, Valor (male, to her left), and Peace (female). The north and south sides were divided into three sections by fluted Doric pilasters, with an inverted wreath on the upper portion of each section. On the west side (facing the amphitheater) was the inscription: "Here Rests In Honored Glory An American Soldier Known But To God." It is still not clear who came up with the phrase, but it had been used on crosses marking the graves of unknown soldiers in Europe as early as 1925. The judges asked that the approaches to the Tomb be improved as well. Clarence Renshaw designed the steps. The balustrade was removed, and the short series of steps extended outward and downward until they reached the lawn. A small landing exists two-thirds of the way down, after which the steps continue (wider than before). Congress approved funding for the memorial and new steps on February 29, 1929, and a contract to complete the Tomb was awarded on December 21, 1929. Quartermaster General Brig. Gen. Louis H. Bash oversaw the construction, which was done by Hegman and Harris.
The Vermont Marble Company provided the marble. This proved very problematic. The Yule Marble Quarry at Marble, Colorado, was chosen as the quarry. A year passed before suitable pieces of marble could be located at the quarry and mined. Three pieces had to be mined before a piece suitable for the 56-ton die block was found. Three pieces were mined and discarded before a fourth piece was found for the 18-ton base. But once the base arrived at Arlington, workers discovered an imperfection in the marble which caused it to be discarded. A fifth, sixth, and seventh piece of marble was then mined, but only the eighth piece was suitable and brought to the cemetery. Amazingly, a piece for the 14-ton capstone was found on the first try.
Work began on the Tomb of the Unknown Soldier in September 1931, but stopped for three months after a flaw in the base was found. Work resumed in December, and all three pieces were in place on December 31, 1931. Fabrication was completed on-site, with sculptor Jones working five days a week. The Tomb was completed and opened to the public on April 9, 1932. There was no dedication ceremony, and the memorial has never been officially named.
Unfortunately, the Tomb began to fall apart almost immediately. Chips and spalls (pieces broken off after heating and contracting) were found coming off the base in 1933. By 1963, a huge horizontal and secondary vertical crack had appeared in the die block — probably caused by the release of pressure after the marble was mined. Acid rain and pollution have caused the marble sculptures to wear down appreciably, such that today they are only about half as sharp as they once were. Although there is no likelihood that the monument will collapse, debate continues to rage as to whether the monument should be replaced.
Beginning on July 2, 1937, the U.S. Army began permanently stationing an honor guard at the Tomb. The 3rd U.S. Infantry Regiment ("The Old Guard") formally took over these duties on April 6, 1948. It is guarded 24 hours a day, seven days a week, all year long. The guard is changed once every hour, on the hour. Out of respect for the dead, the guard carries his rifle on the outside shoulder — away from the Tomb. The guard is not permitted to speak or break his march, unless someone enters the restricted area around the Tomb. If this happens, the guard must come to a halt and bring his rifle (loaded with live ammunition) to port-arms. This is usually enough to make the person move back. (No one has ever gone further than the sharp slap of the rifle in the guard’s hands.)
In June 1946, Congress approved the burial of unknown American from World War II at the Tomb of the Unknown Soldier. Thirteen American unknowns were exhumed from cemeteries in Europe and Africa and shipped to Epinal, France. Maj. Gen. Edward J. O’Neill, U.S. Army, chose one of these caskets on May 12, 1958, as the "trans-Atlantic Candidate unknown." This casket was transported by air to Naples and placed aboard the USS Blandy. Two American unknowns were disinterred from the National Cemetery of the Pacific in Hawaii and four American unknowns disinterred from Fort McKinley American Cemetery in the Philippines. The six unknowns were taken by air to Hickam Air Force Base. On May 16, 1958, Col. Glen Eagleston, U.S. Air Force, selected a "trans-Pacific Candidate unknown," which was placed aboard the USS Canberra. The Blandy and Canberra rendezvoused off Virginia in May 1958, at which time the trans-Pacific Candidate unknown was transferred to the Canberra. Hospitalman First Class William R. Charette, the Navy’s only active enlisted holder of the Medal of Honor, then placed a wreath at the foot of the casket on his right. (The other remains were buried at sea.) This individual became the World War II Unknown.
In August 1956, Congress approved the burial of a Korean War unknown at the Tomb. The remains of four unknown Americans from the Korean conflict were exhumed from the National Cemetery of the Pacific. On May 15, 1958, Master Sergeant Ned Lyle placed a wreath on the fourth casket to choose the Korean War Unknown. (The other three unknowns were reinterred in the National Cemetery of the Pacific.)
Because so much time had passed, the World War II and Korean War unknowns were chosen at the same time. The Unknown of Korea was transported aboard the Canberra at the same time as the "trans-Pacific Candidate unknown."
After the World War II Unknown was chosen, both the WWII and Korean War remains were taken back to the Blandy, which transported them to Washington, D.C. Like the World War I Unknown, they lay in state in the Rotunda of the United States Capitol. Both were interred in vaults on the west side of the Tomb of the Unknown Soldier on Memorial Day, May 30, 1958. Rather than enlarge the WWI vault, new vaults were dug in the plaza on the west side of the Tomb.
Congress authorized the entombment of a Vietnam War casualty in 1973. But with advances in identification of remains, no unknown remains could be found. Pressure from Vietnam veterans’ groups was making the issue politically potent by the early 1980s, especially with Republican Ronald Reagan in office as president. And that’s where the scandal began… In May 1972, 24-year-old U.S. Air Force pilot Michael Blassie was shot down in South Vietnam close to the Cambodia border. In October 1972, American ground patrols found Blassie’s identity card, some American money, shreds of a USAF flight suit, and some skeletal remains near where Blassie went down. The I.D. card and money went missing soon thereafter. Pentagon officials declared the remains "likely to be" Blassie’s, but no firm identification was ever made. By 1980, only four sets of Vietnam War-era remains could be declared unidentified, and one of these were the Blassie remains. In 1980, for unknown reasons, an Army review board ruled that the bones were not Blassie’s. Soon thereafter, all documents in the file were removed and destroyed.
On May 8, 1984, the no-longer-"likely" remains were declared "unknown." The Vietnam Unknown was selected by Marine Corps Sgt. Maj. Allan Jay Kellogg, Jr. (a Medal of Honor recipient) at Pearl Harbor on May 17, 1984. The unknown’s remains were transported by the USS Brewton to Alameda Naval Base in California. They arrived on May 23, 1984, and were transported by automobile to nearby Travis Air Force Base on May 24. The remains were transported by air to Andrews Air Force Base in Maryland on May 25, and lay in state in the Capitol Rotunda from May 25 to May 28. They were interred in a new vault in front of the Tomb on May 28, 1984. President Reagan presented the Medal of Honor to the unknown soldier.
The possibility that the remains were Blassie’s was first raised by a man investigating missing-in-action cases. The story broke into the press in January 1998, and in April the two U.S. Senators from Missouri and Blassie’s family were demanding answers. After a high-level Pentagon review, the Secretary of the Army recommended on April 26 that the remains be disinterred. The Secretary of Defense ordered exhumation on May 6, and the remains came above ground on May 13. A DNA sample was obtained from the remains on June 15, and on June 29 the remains were identified as Blassie’s. Blassie was buried in his home town of St. Louis on July 10, 1998, with handfuls of soil from Arlington National Cemetery. The following month, Blassie’s family asked to keep the Medal of Honor, but the Pentagon refused — saying it was intended to go to the unknown, not to Blassie (who had not won it). In June 1999, with no further unidentified Vietnam War remains available, Pentagon officials said they would keep the vault empty. The Vietnam War crypt was rededicated on September 16, 1999.
Interestingly, the Tomb of the Unknown Soldier caused some major changes to D.C. as well as Arlington National Cemetery.
The final piece of "Arlington National Cemetery" as we know it today came with the construction of Arlington Memorial Bridge, Memorial Drive, and the Arlington Memorial Entrance in 1932. The bridge, the drive, and the entrance were designed as a single project and were dedicated on January 16, 1932 by President Herbert Hoover. The U.S. Commission on Fine Arts required that the bridge act as a symbolic link between North and South.
In fact, the famous McMillan Commission (which established the National Mall and set the locations of the Lincoln and Jefferson memorials) had proposed the bridge in 1901, but no action had been taken. When President Harding dedicated the Tomb of the Unknown Soldier in 1921, so many people swarmed over Highway Bridge (now the 14th Street Bridges) that it caused a three-hour traffic jam! Harding’s own car had to abandon the roadway and take to the grass shoulder to get to the cemetery on time. Secretary of State Charles Evan Hughes had to walk across the bridge to make it.
The outcry over the feeble, inadequate bridges across the Potomac led to the construction of Memorial Bridge. Congress authorized its construction on February 24, 1925.
The legendary architectural firm of McKim, Meade & White — which built some of the most notable buildings of the 20th century, like the New York Public Library, Manhattan Municipal Building, Washington Arch in Washington Square, NYC’s Pennsylvania Station, the Algonquin Club in Boston, Boston Public Library, Rhode Island State House, Harvard Business School, the West Wing and East Wing of the White House, the National Museum of American History, Minneapolis Institute of Arts, Bank of Montreal Head Office, and the American Academy in Rome — designed the bridge. The Neoclassical bridge is 2,163 feet long, with nine arches. It is made of reinforced concrete clad in North Carolina granite. At the time, extensive commercial river traffic used the Potomac River from the Great Falls of the Potomac (just upriver from Washington, D.C.) all the way to the Atlantic Ocean. The bridge was built with a draw span in the center to accommodate this traffic. (It still exists, but has been abandoned.)
Flanking the eastern ends of the bridge are two monumental Neoclassical equestrian statues. "The Arts of War" by Leo Friedlander stands on the bridge itself. As you face the bridge, "Valor" (a man riding a horse accompanied by a woman with a shield) is on the left and "Sacrifice" (a woman symbolizing the earth looks up at the god Mars on a horse) is on the right. Another set of equestrian statues adorns the entrance to Rock Creek Parkway, which is just to the north of Arlington Memorial Bridge. These are "The Arts of Peace" by James Earle Fraser. As you face the parkway, on the left is "Music and Harvest" (a winged horse paws the air between a man with a sheaf of wheat and a sickle and a woman with a harp). On the right is "Aspiration and Literature" (a winged horse Pegasus is flanked by a man holding a book and a woman holding a bow). Both sets of statues, which are each 17 feet tall and made of gilded bronze, were commissioned in 1925 but were not erected until 1951. They were cast in Italy — a gift to the people of the United States from the people of Italy.
The bridge ended in Washington Circle, and from there Memorial Drive connected the bridge to the cemetery gates. Along Memorial Drive are numerous memorials and monuments: the Seabees Memorial, the Armored Memorial, the United Spanish War Veterans Memorial (known as "The Hiker"), Admiral Richard Evelyn Byrd monument, the 101st Airborne Division Memorial, and the 4 Infantry (IVY) Division Monument. (Today, the Arlington Cemetery station on Metro’s Blue Line is right next to the Seabees Memorial.)
Memorial Drive ends in the Hemicycle. Carved from the hillside that culminates in Arlington House, the Hemicycle is a Neoclassical semicircle 30 feet high and 226 feet in diameter. In the center is an apse 20 feet across and 30 feet high. In total, the Hemicycle covers 4.2 acres. The Hemicycle was constructed of reinforced concrete, but faced with granite from Mount Airy, Virginia. The walls range from 3 feet, 6 inches thick at the base to 2 feet, 6 inches at the top. The accent panels and coffers in the apse are inlaid with red Texas granite. The Great Seal of the United States is carved in granite in the center of the apse, while on either side are seals of the Department of the Army (south) and the Department of the Navy (north). Along the facade of the Hemicycle were 10 false doors or niches — some up to five feet deep, others just indentations in the wall — which were supposed to contain sculptures, memorial reliefs, and other monuments. The apse itself held a fountain, but that was supposed to be replaced with a major memorial in time.
But the Hemicycle is a dead end. You can’t stop and admire the apse. Instead, the road diverges here, north and south, passing through wrought iron gates. The north gate is the Schley Gate — named after Admiral Winfield Scott Schley, son of Civil War Commanding General Winfield Scott and hero of the Battle of Santiago Bay during the Spanish-American War. The south gate is the Roosevelt Gate, named for President Theodore Roosevelt. In the center of each gate, front and back, is a gold wreath 30 inches in diameter. Each wreath cradles the shield of one of the armed services that existed in 1932: The Marine Corps and Army on Roosevelt Gate, the Navy and Coast Guard on Schley Gate. (The Air Force did not exist until 1947.) Each gate is divided into 13 sections by wrought iron fasces, and above six of the sections are iron spikes topped by gold stars. The granite pillars at the end of the retaining wall and the pillars on each side of each gate are topped by granite funeral urns. Also on the granite pillar of each gate is a gilded lamp.
On top of the Hemicycle was a pedestrian walkway and a terrace some 24 feet wide. Originally, access to the walkway and terrace was granted only by going to the far end of the Hemicycle (near the wrought iron gates), through a pedestrian gate, and up some stairs. Above each arched entrance to the pedestrian stairs was a granite eagle. But this never actually happened: The pedestrian gates were locked for more than 50 years!
The Hemicycle was never actually completed. Intended to be Arlington National Cemetery’s ceremonial gate, it just….dead-ended. The apse and niches were never filled. There was nothing on the other side. There was no way to use the Hemicycle without crossing dangerous highways. Plop. There it is. Indeed, by the 1980s, the Hemicycle was in serious disrepair. It had never been used for any purpose, and Arlington officials largely ignored it.
Originally, the exterior rear wall of the Hemicycle was flat. But in the early 1980s, women veterans began pressing for a memorial to women in the armed services. In 1988, the National Capital Memorial Commission, the National Capital Planning Commission, and the Fine Arts Commission approved the use of the Hemicycle as a site for the Women in Military Service for America Memorial. It was the first time a memorial to the living — rather than the dead — had been placed on the grounds of Arlington National Cemetery. Marion Gail Weiss and Michael Manfredi won a national design competition for the memorial, and the National Capital Planning Commission and the Commission of Fine Arts voted unanimously for this design on April 6, 1995. The memorial was built in 1997.
Sonja, Gerhard and Jutta
Image by nolnet
The senior management crowd:
Sonja, who always brings the donuts (omnom).
Gerhard, who likes to randomly scream at people and also does that DJ thing.
Jutta, whom I had so little common jobs to work on with that I didn’t come up with anything personal. Thus, she got a pink brick. Why not.
It’s a coincidence that my idea for a gift to my former colleagues also involves their sigfigs.
I made new door signs for each member of my department.