Some cool Gift Ideas images:
06 Walt Disney Concert Hall – Street View (E)
Image by Kansas Sebastian
Walt Disney Concert Hall, 1999-2003
Frank O Gehry
111 S Grand Avenue
The Walt Disney Concert Hall at 111 South Grand Avenue in Downtown Los Angeles, California is the fourth hall of the Los Angeles Music Center. Bounded by Hope Street, Grand Avenue, 1st and 2nd Streets, it seats 2,265 people and serves (among other purposes) as the home of the Los Angeles Philharmonic orchestra and the Los Angeles Master Chorale.
Lillian Disney made an initial gift in 1987 to build a world-class performance venue as a gift to the people of Los Angeles and a tribute to Walt Disney’s devotion to the arts. The Frank Gehry-designed building opened on October 23 2003. While the architecture (as with other Gehry works) evoked polarized opinions, the acoustics of the concert hall (designed by Yasuhisa Toyota) were widely praised in contrast to its predecessor, the Dorothy Chandler Pavilion.
Much of Gehry’s work falls within the style of Deconstructivism. Decontructivism, also known as DeCon Architecture, is often referred to as post-structuralist in nature for its ability to go beyond current modalities of structural definition. In architecture, its application tends to depart from modernism in its inherent criticism of culturally inherited givens such as societal goals and functional necessity. Because of this, unlike early modernist structures, DeCon structures are not required to reflect specific social or universal ideas, such as speed or universality of form, and they do not reflect a belief that form follows function. Gehry’s own Santa Monica residence is a commonly cited example of deconstructivist architecture, as it was so drastically divorced from its original context, and, in such a manner, as to subvert its original spatial intention.
“Bad Ass” Aggie Ring Goes to the Art Deco Edison Memorial Tower and “Big Ass Lightbulb!”
Image by flickr4jazz
I could tell that Aggie Ring was impressed. After several moments of silence he spoke out and said, “If my Eyes of Texas aren’t deceiving me, that’s the biggest damn lightbulb I’ve ever seen! I guess it’s true… Everything IS bigger in Jersey!”
The Aggie Ring woke me up early this morning. In fact it was even before 11:30 a.m. so I knew he wanted to do something. I asked the Aggie Ring, “What do you want to do Aggie Ring?” The Aggie Ring replied, “I want to go see the lightbulb!” I wasn’t sure what he was talking about so I said, “What lightbulb?” The Aggie Ring said with emphasis, “Let there be LIGHT!” Then it hit me. Aggie Ring wanted to drive him up the Parkway to the site of Thomas A. Edison’s Menlo Park laboratory so he could see the Art Deco Edison Memorial Tower and “Big Ass Lightbulb!”
Other than the time he told me that he thought Elvis took our change in a tollbooth on the New Jersey State Turnpike, Aggie Ring has great ideas. It’s only about a 20 to 25 minute drive up the Parkway from our house so Aggie Ring and I set off to see the Edison Memorial Tower. The last time we’d been there it had been in horrible shape and they were beginning work on restoring it. That was a bit over a year ago so I assumed that Aggie Ring figured out that they would be finished with the conservation work on the historical site.
When we drove down the little side street where the tower is located the Aggie Ring was overwhelmed with awe at the restored site. Aggie Ring was truly “speechless!” It’s just as beautiful as the day it was built. They did an incredible job on the restoration. After a few moments sitting in the car just looking out the window Aggie Ring broke his silence and asked me, “Did you bring a cigar? Edison loved his cigars and I think he’d have wanted you to smoke a cigar while you’re looking the place over.” Unfortunately I had left my cigars at home so the Edison “smoke out” will have to happen on a future date.
The laboratory building is no longer at this site but it’s still impressive to think of not only the electric lightbulb, but all of the other great inventions that Mr. Edison invented here. Aggie Ring said, “Imagine. He did all this stuff without the help of an Aggie Ring!”
The Aggie Ring and I walked around the tower and took some photos of the “Big Ass Lightbulb” and the historical plaques at its base. The Aggie Ring and I are planning on going back some evening when the lightbulb is illuminated. Aggie Ring said, “It would be cool if you could get a photo during a thunderstorm when there’s lightning behind the tower.” I told Aggie Ring, “You’re crazy! I’m not standing out in a field during a lightning storm with an Aggie Ring on my finger! Maybe if we can get a VMI grad to come with us. Their rings are so damn big a lightning bolt would hit one of them before us!”
Aggie Ring said, “It’s a good thing Edison invented the lightbulb or there’d be a lot of Waggies drinking their tequila shots by candlelight!” I told the Aggie Ring, “True… Those Waggies love their tequila the invention of the lightbulb makes it a lot easier for them to pour the tequila and do body shots!”
Aggie Ring asked me to provide some info on the Edison “Big Ass Lightbulb” Memorial Tower for your educational enlightenment (“Get it?” Aggie Ring said):
Thomas Alva Edison Memorial Tower and Menlo Park Museum, New Jersey
"Let there be light." Thomas Alva Edison’s Menlo Park Laboratory and Memorial Tower. Those of us on the Jersey Shore call it the "Big Ass Lightbulb!”
The Edison Tower, located on the site of the original laboratory at Menlo Park, New Jersey, to which Thomas Alva Edison moved in 1876, was erected in 1937 as a monument to the great inventor. The Tower is the gift of William Slocum Barstow to the Thomas Alva Edison Foundation Incorporated in behalf of the Edison Pioneers. It was dedicated on February 11, 1838, the ninety-first anniversary of the inventor’s birth.
Rising 131 ft. 4 in. above the ground, the tower looms as the highest discernible object for many miles. Surmounting the 117 ft. 8 in. concrete-slab structure is a 13 ft. 8 in. replica of the original incandescent lamp which, when illuminated, can be seen for a distance of several miles. It once served as an airplane beacon. The Tower is designed for pressure of wind at a velocity of 120 miles per hour. In its construction, which consumed slightly less than eight months, approximately 1200 barrels of Edison Portland cement and 50 tons of reinforced steel were used.
The large bulb on top of the Tower was cast by the Corning Glass Works. The replica bulb contains 153 separate pieces of amber tinted Pyrex glass, 2 in. thick, set upon a steel frame. The bulb is 5 ft. in diameter at the neck and 9 ft. 2 in. in diameter at the greatest width and weighs, without the steel frame on which it is placed, in excess of three tons. Before the restoration, inside this Pyrex glass bulb were four 1000 watt bulbs, four 200 watt bulbs, and four 100 watt bulbs. A duplicate of each was arranged as automatically to cut in should its companion bulb fail.
The Edison Tower has been completely restored and when complete, the bulb is now illuminated with modern Light Emitting Diode (LED) technology. Mr. Edison would be pleased with this, I’m sure.
While we don’t have any records of exactly what was said when Mr. Edison perfected his invention, I suspect one of his workers shouted out something like this: “Holy Mother of Baby Jesus on a Donkey!” “Mr. Edison, You’ve done it!!! You’ve perfected the Electric Light!!! You truly are King of Kings!!!!”
The tower is located on a mysterious plot of land and exactly at midnight on the night of a full moon, it would be a perfect site for the ritual sacrifice of virgins. Too bad we don’t have any of those in New Jersey! 🙂
Aggie Ring says, “The Road Goes On Forever, and the Party Never Ends!”
Little Rock Mill
Image by darrellrhodesmiller
Historic re-creation of an 1880’s water-powered grist mill. It is in the opening scenes of the classic movie "Gone With The Wind." It features sculptures by Senor Dionicio Rodriguez. Located at Fairway Ave. & Lakeshore Drive.
Hours: Sunrise – Sunset
A highlight for visitors traveling Arkansas is the Old Mill, a favorite attraction that provides both a glimpse of history and a very beautiful photographic opportunity. (Don’t forget to bring your camera!) The Old Mill, which is listed on the National Register of Historic Places, is located in the T.R. Pugh Memorial Park, at the corner of Fairway Avenue and Lakeshore Drive in North Little Rock. The structure is most famous for its part in the opening scenes of Gone With The Wind.
Guided tours, which last approximately 30 minutes, are available for groups with advance reservations and are conducted by trained volunteers by calling (501) 758-1424.
In 1931, Justin Matthews, developer of the Lakewood neighborhood of North Little Rock, contracted for the construction of a replica of an old, water-powered grist mill dedicated to the memory of Arkansas’s pioneers. Neither the stone mill building, nor the general layout is a reproduction of any particular mill, but is a familiar design of early Arkansas, designed to fit the contour of a rough area.
The Mill, completed in 1933, is intended to appear abandoned – absent of doors and windows due to thieves or decay – just as old mills that were in service in the early 1800s had become by the 1930s. The image is that the old gristmill and driving equipment have fallen away or been disconnected from the water wheel; and the water gate on the flume above, although closed, is leaking enough water to turn the old wheel, which is idling away through the years.
Frank Carmean, a German immigrant, worked for Matthews as a builder/architect and designed the basics of the Old Mill. Carmean went on a tour of southwestern states in search of new architectural styles, at which time he "found" Senòr Dionico Rodriguez.
Rodriguez, a sculptor and artist, was responsible for all the details of each piece of concrete work made to represent wood, iron or stone, as well as the designing of the foot bridges and rustic seats. Rodriguez’s secret techniques were so detailed and exacting that you can identify the species of trees in most of his work. Rodriguez worked without any written plans, but there are unwritten stories that describe how Rodriguez envisioned many of his works. "A black locust tree grew in the soft earth on the bank of the little stream. When it reached a certain height it was blown down, but continued to live. A woodsman who wanted to use the trunk of the tree as a footbridge cut off the limbs and…"
During the summer of 1991, Rodriguez’s work at the Old Mill was renovated by Carlos Cortes – Rodriguez’s great nephew and the son of Rodriguez’s assistant Maximo Cortes. The Old Mill, along with other structures located in the Lakewood Property Owners Association Park and Crestwood Park in North Little Rock, were nationally recognized in 1986 by being placed on the National Register of Historic Places.
The Old Mill was given to the City of North Little Rock as a gift by the former Justin Matthews Company on May 24, 1976. Justin Matthews has been described as a visionary real estate developer for conceiving the idea of the Old Mill as part of a comprehensive system of recreational lakes and open spaces in the Lakewood residential area.
Matthews, who had been successful in the cottonseed oil business, had a tremendous impact on the shaping of the city’s neighborhood character starting with his initial efforts during the 1920s and 1930s in developing the nearby Park Hill addition.